WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +4% above last year and now +5% above the average for this point the past four years ($4.864 billion).  Over the same period, Hollywood films have grossed over […]

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is now +5% above last year and still +3% above the average for this point the past four years ($7.878 billion).  Over the same period, Hollywood films have grossed almost $21.1 billion worldwide when we add overseas box office (that’s […]

For the 13 days December 16-28, the top 10 films each day in North America have totaled $711 million, now -14% below last year’s record pace but +45% above the average since 2002. Holiday Box Office Volume — Top 10 Films North America $ millions by year $ millions (2002-2015) # days Period 2016 2015 2014 2013 […]

  With what appears to be the exception of a sensational hold for Argo, this weekend is looking fairly lackluster, according to preliminary Friday numbers at Deadline.  PARANORMAL ACTIVITY 4 (Paramount) of course, will dominate the weekend, and because of its bargain-basement cost, it will reap plenty of profit for the studio.  But at $15M […]

Based on Friday’s and Saturday’s grosses, weekend #28 of 2015 looks like $204 million for the top 12 films Friday-Sunday, above the norm for this weekend and way above last year’s weak weekend. Opening at 4,301 theaters Friday, Minions from Universal is on track for a $115.2 million opening three-day weekend (a little lower than yesterday’s outlook but still […]

Weekend #43 of 2015 is looking like $111 million for the top 12 films this weekend, above the norm for this weekend (see comparisons below). Steve Jobs from Universal should collect around a $18.5 million in its first wide weekend. Through Sunday, the total to date should be around $21 million. The film is on track for around $65 million domestic […]

  OPENINGS:  DARK WATERS (Focus/Universal) expanded into wide release at 2012 theatres, and emerged with a mild $4.1M.  (By comparison, Focus’s previous release Harriet opened at 2059 with an $11.7M weekend.)  Its lack of awards traction thus far suggests that it’s going to have a hard time building any momentum for a run through the […]

  OPENINGS:  PAIN & GAIN (Paramount) is a “relationship” movie, not in the sense of the relationships between the movie’s characters (oh God, no), but the relationship between the studio and its director, Michael Bay.  This was a passion project for Bay, and Paramount agreed to let him make it–and oh, by the way, also […]