WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +9% above last year and still +11% above the average for this point […]

  The lack of any new wide openings and the arrival of the year’s Golden Globe nominations are making for a strong holdover weekend, although for some titles more than others.  According to preliminary numbers at Deadline, RALPH BREAKS THE INTERNET (Disney) continued to decline rather swiftly, down 38% from last Friday to $3.5M, where Moana […]

  OPENINGS:  The weekend multiple for HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD (DreamWorks Animation/Universal) was 3.2x, about mid-way between the first Dragon‘s 3.6x and Dragon 2‘s 2.6x.  (Note that the studio isn’t including $2.5M in paid preview income in its weekend number–if that were added to Friday the way Thursday night revenue is, […]

  OPENINGS:  JOHN WICK CHAPTER 3: PARABELLUM (Thunder Road/Summit/Lionsgate) continued the upward climb of the franchise in the US with a $57M weekend, substantially ahead of the $30.4M for Wick 2, which was above the $14.4M of the original.  If Parabellum plays out like Wick 2, it could cross $150M in the US, on costs […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -6% below last year’s comparable span and still -1% below this point the past four years ($7.077 billion).  Over the same period, Hollywood films have grossed almost $18.8 billion […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -4% below last year’s comparable span and still +1% above this point the past four years ($10.234 billion).  Over the same period, Hollywood films have grossed almost $27.1 billion […]

  OPENINGS:  The only wide launch this week (2027 theatres) was the horror movie THE EMPTY MAN (20th/Disney), which despite its big-studio credentials had a nearly invisible level of marketing behind it, and started with a $1.3M weekend that was low even by pandemic standards. AFTER WE COLLIDED (Open Road) had a limited arrival at […]

  OPENINGS:  The blockbusters are delivering even if other box office segments still aren’t, and that’s good news for pandemic-weary theater owners and studios.  In the US, VENOM: LET THERE BE CARNAGE (Columbia/Marvel/Sony) set a new Covid-era record with a remarkable $90.1M opening, larger than the $75.4M earned by Shang-Chi a month ago, the $80.4M […]