WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until mid-February, when we will switch to tracking the 2019 slates. YEAR TO DATE BOX OFFICE. Looking at North American […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -18% below last year’s comparable span (1 point better than last week) and now -16% below the average for this point the past four years ($2.351 billion).  Over the same […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -9% below last year’s comparable span (same as the -9% last week) and still -1% below the average at this point the past four years ($5.168 billion).  Over the […]

  WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -5% below last year’s comparable span and still +1% above this point the past four years ($8.203 billion).  Over the same period, Hollywood films have grossed over $21.9 […]

WORLDWIDE STUDIO SCORECARD.  Here is a first look at the 2020 film slates by studios (films entering wide release in the 2020 calendar year). BOX OFFICE. Looking at North American box office, 2020 is now +14% above last year’s comparable span but -7% below this point averaged over the past four years ($1.110 billion).  Over […]

  OPENINGS:  There was a barely-wide opening for OUR FRIEND (Gravitas, also on VOD) at 543 theatres with a $250K weekend that translated into a quiet per-theatre average of $460. HOLDOVERS:  THE MARKSMAN (Open Road) dipped 35% in its 2nd weekend to $2M (by comparison,  Liam Neeson’s prior vehicle Honest Thief dropped 43% in Weekend […]

  OPENINGS:  It’s likely that THE 355 (Universal) would have been challenged at the box office even in normal times, considering that its level of action spectacle is significantly lower than superhero movies can afford, and that the cast features performers who are extremely talented but with little proven appeal to ticketbuyers.  (The 27% score […]

  OPENINGS:  THE WOMAN KING (TriStar/Sony) launched at the higher end of expectations with $19M, boosted by strong reviews (94% on Rotten Tomatoes) and enthusiastic audience response as measured by exit polls.  In the current market, with few openings arriving each week (and even fewer for Woman King‘s older female target demo), the film should […]