The lack of strong new competition is certainly helping, as is the Wednesday opening that kept last Friday down a bit, but nevertheless, the Weekend 2 hold for CRAZY RICH ASIANS (SK Global/Warners) is on track to be extraordinary.  Preliminary numbers at Deadline have a 4% Friday-to-Friday drop to $7M, which would give it […]

Weekend #45 of 2014 is looking like $167 million for the top 12 films this weekend, up 19% from the norm for this weekend.   Opening at 3,500 theaters Friday (well above the 2,886 average theater count for opening weekends the last two years), Interstellar from Paramount should average a terrific $18,500 per theater for the […]

Weekend #28 of 2015 is looking like $194 million for the top 12 films this weekend, slightly above the norm for this weekend and way above last year’s very soft weekend (see comparisons below).  [Note: a previous version of this post had incorrect estimated weekend totals.] Minions from Universal should open with a $108 million three-day weekend. Early reviews at RottenTomatoes […]

Weekend #4 of 2014 is looking like $107 million for the top 12 films, up 7% from the average for this weekend the past few years. Opening at around 2,700 theaters Friday (slightly below the 2,886 average theater count for opening weekends the last two years), I, Frankenstein from Lionsgate/Summit should average a mediocre $5,800 per theater for the […]

  OPENINGS:  The 3-day weekend in the US went narrowly to MEG 2: THE TRENCH (CMC/Warners) with $30M.  That was down more than 1/3 from the $45.4M start for The Meg in 2018, which would ordinarily be concerning for a film with $250M in production/marketing costs, but Meg 2 overperformed internationally even more strongly than […]

  OPENINGS:  At $6.5M, THE POSSESSION OF HANNAH GRACE (Screen Gems/Sony) performed adequately for a low-budget horror item placed in one of the lower-grossing weekends of the year.  Possession also earned $4.1M in 17 international territories, the start of a release that will extend into early 2019.  It has around $30M in production and worldwide […]

  THE MUMMY (Perfect World/Universal) is a disaster, although the studio and its minions will try to spin otherwise through the course of the weekend.  According to preliminary numbers at Deadline, it earned $12M on opening day ($2.7M of it from Thursday night), which puts it in line for a $30M weekend and a US […]

  Most films will rise this weekend compared to last week, simply because New Year’s Eve is a bigger moviegoing occasion than Christmas Eve.  Generally, box office should rise 20% or so on Saturday, drop around 30% on Sunday, then jump 30-40% on New Year’s Day.  The first two weekends of 2018 should feature relatively […]