Considering the almost laughably low level of the competition it faced, THE FATE OF THE FURIOUS (Universal) didn’t hold up well on its 2d Friday. Preliminary numbers at Deadline have the day at $11.4M, down 75% from last week’s opening day. That’s worse than the 72% Friday-to-Friday drop for Furious 7 (which was coming […]
ANNABELLE: CREATION (New Line/Warners) will easily take the weekend. According to preliminary numbers at Deadline, opening day was $15.1M, slightly below the $15.5M for 2014’s original Annabelle, but Creation is much more frontloaded, with $4M from Thursday night, almost double the $2.1M for Annabelle. That suggests a lower weekend multiple than Annabelle‘s 2.4, and […]
OPENINGS: Even though THE DISASTER ARTIST (A24) was at just 840 theatres, its $6.4M weekend had no trouble topping its woeful newcomer competition. That total (which may come down a bit in finals, because A24 tends to be optimistic in its Sunday estimates) translated into a $7700 per-theatre weekend average, notably better than the […]
OPENINGS: It’s very possible that the news is going to get even worse for THE HAPPYTIME MURDERS (H Brothers/Black Bear/STX), which is grimly insisting on a studio estimate of the best Sunday hold in the weekend’s Top 10 to claim a $10M opening–even after dropping 15% on Saturay. That number may easily slip to […]
It’s too soon to tell just how GODZILLA: KING OF THE MONSTERS (Legendary/Warners) will fare based on its $19.7M opening day (including $6.3M from Thursday), per preliminary numbers at Deadline. The reason is that the two previous installments of what Warners calls its “Monsterverse” have had strikingly divergent trajectories at the US box office. […]
OPENINGS: For a year lean on powerhouse franchises and expected to be tough at the box office, Hollywood’s 2020 is off to a heartening start. Following last week’s strong performance by 1917, this week’s BAD BOYS FOR LIFE (Columbia/Sony) blasted through expectations with a $59.2M 3-day weekend ($68M with the Monday holiday), and with […]
OPENINGS: UNCHARTED (Columbia/Sony) had a strong start with $44.2M ($51M with the holiday Monday), once again largely due to the M18-34 demo, but also suggesting that Tom Holland may be emerging as an action star even without webs to spin. (Of course it didn’t hurt that Uncharted followed his mega-smash Spider-Man so closely that […]
OPENINGS: Following several months of strong showings from the horror genre, PREY FOR THE DEVIL (Lionsgate) arrived at $7M to mop up the Halloween weekend remainder. That was around the expected result, and considering that Prey was a low-budget effort with little national marketing, it might be enough to set a pace for minimal […]