OPENINGS: Allowing for the usual studio practice of predicting lower-than-typical Sunday drops to boost the numbers a bit, MONSTERS UNIVERSITY (Disney/Pixar) opened in line with expectations at what may be slightly less than the $82M number announced today. That puts it only behind 3 other big-ticket animated sequels (the last Toy Story and 2 […]
OPENINGS: There was nothing supernatural about the blah $17M opening for CARRIE (Screen Gems/Sony/MGM), on the low end of Halloween horror openings, and with Bad Grandpa targeting a similar audience next weekend, there’s little chance for recovery. Even though the reviews were never going to be good, Sony’s strategy of keeping the movie under […]
OPENINGS: THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) didn’t have much of a Saturday bump, rising just 2% (that compares to 15% for the 2d day of Gone Girl), suggesting that word of mouth is less than stellar. The result was a $24.7M weekend that was lower than originally anticipated, and early international results of […]
OPENINGS: A QUIET PLACE: DAY ONE (Paramount) handily exceeded expectations with $53M in the US, better than its predecessors ($50.2M and $47.5M respectively, although Part II earned $57.1M over its 4-day holiday launch). It was particularly impressive because Day One featured a different cast and creative team for the most part, suggesting that A […]
OPENINGS: KNIVES OUT (MRC/Lionsgate) scored a victory for non-IP, adult-oriented filmmaking with a strong $27M over the 3-day weekend ($41.7M since Wednesday), and although December box office can be tough to predict, with a plunge expected next weekend and then the arrival of multiple presumptive blockbusters, Knives Out seems to be on track for […]
OPENINGS: The weekend belonged to ZOOTOPIA (Disney Animation/Disney), which broke its studio unit’s opening record and the March animation record with $73.7M, and also earned $63.4M internationally (including $24M from China) to give it a worldwide total, counting early foreign openings, of $232.5M, with plenty of road ahead, and only The Little Prince as […]
UPDATE: The release of THE INTERVIEW continues to be improvisational, and contrary to regular practice–as well as Sony’s previously expressed plans–the studio announced on Sunday that in addition to its $2.8M take from independent theatres, the film earned $15M from online viewing in the Wed-Sat period. However, Sony didn’t specify how that amount was […]
OPENINGS: LITTLE (Legendary/Universal) led the weekend’s weak crop of newcomers with $15.5M, buoyed by a 15% Saturday bump. That’s about 15% below the recent opening of What Men Want, which was aimed at a somewhat older audience, and suggests an OK $45M US total. It had a limited overseas opening in 11 markets, where […]