OPENINGS: ONE PIECE FILM: RED (Crunchyroll/Sony) opened at $9.5M, on the low end of recent national anime releases compared to Jujutsu Kaisen‘s $18M and Dragon Ball Super‘s $21.1M. As is typical for the genre, it was extremely frontloaded, earning more than 50% of its weekend total by the end of Friday. However, its US […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until mid-February, when we will switch to tracking the 2019 slates. BOX OFFICE. Looking at North American box office, 2019 […]
STUDIO SCORECARD. In the worldwide studio rankings for 2013 to date, the weekly changes look much higher than normal. Most of those increases are a function of some September films not being fully counted in the yearly totals for the past few weeks. All of the 2013 films are properly accounted for now. Warner Brothers […]
OPENINGS: Pedro Almodovar’s PARALLEL MOTHERS (Sony Classics) expanded to wide release at 684 theaters in anticipation of the Oscar nominations that are little more than a week away, but its $300K weekend translated into a per-theater average under $500. HOLDOVERS: The lack of any new Hollywood competition was as usual good for the films […]
OPENINGS: The male 18-34 demo was again at the center of the box office, largely fueling the $23.5M start for JACKASS FOREVER (Paramount), not quite at the level of the last product of the franchise, 2013’s Bad Grandpa, and its $32.1M start, but more than enough to ensure profitability at its low cost point. […]
It’s been a while since we’ve had a chance to look at box office together, and the period has been a busy one, with the return of Hollywood blockbusters like A Quiet Place Part II, F9, The Suicide Squad and Black Widow to theaters (some exclusively, others shared with various forms of home availability). […]
OPENINGS: ONE DIRECTION: THIS IS US (TriStar/Sony) continued its frontloaded box office swoon, with a 28% Sunday drop and probably another 25% today (the Monday number will likely be 75% below what the movie earned on opening day). Despite more than doubling the Friday box office of The Butler, it will end up losing […]
OPENINGS: MAMA (Universal) had a 9% bump on Saturday, not bad for a horror movie, and should have a very healthy $33M by the end of the 4-day weekend. BROKEN CITY (20th) and THE LAST STAND (Lionsgate), with their older-skewing audiences, had proportionately better Saturdays (up 19% and 25%, respectively), but there’s still such limited […]