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Behind the US/Worldwide Weekend Box Office 7.9.2023

Posted July 9, 2023 by Mitch Salem

  OPENINGS:  INSIDIOUS: THE RED DOOR (Screen Gems/Sony) reaffirmed the strength of the low-budget horror genre with a $32.7M start, better than the $29.6M launch of 2018’s The Last Key (which didn’t feature the full original cast).  Red Door should reach $65M+ in the US, guaranteeing profitability on a reported $16M production budget and relatively […]

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Behind the US/Worldwide Weekend Box Office 11.10.2019

Posted November 10, 2019 by Mitch Salem

  OPENINGS:  MIDWAY (AGC/Bona/Lionsgate) was mildly ahead of expectations with $17.5M in the US, and it should perform well on Veterans Day Monday.  However, with around $150M in production and worldwide marketing costs, a $60M US total would leave it with a steep uphill climb to reach profitability.  Early overseas results weren’t particularly promising at […]

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US/Worldwide Weekend Box Office Report 10.11.2020

Posted October 11, 2020 by Mitch Salem

  OPENINGS:  We had a new wide release this weekend, and THE WAR WITH GRANDPA (101) managed a win over the weary Tenet with $3.6M.  That’s certainly not a number that would make anyone feel good in non-pandemic times, and since War With Grandpa had a semblance of a national marketing campaign, it’s not at […]

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Weekend Studio Estimates 5.15-17.2015

Posted May 17, 2015 by Mitch Metcalf

Based on Friday’s and Saturday’s grosses, weekend #20 of 2015 now looks like $178 million for the top 12 films Friday-Sunday, a little better than yesterday’s estimate ($172 million) and now solidly above the norm for this weekend. Opening at 3,473 theaters Friday, Pitch Perfect 2 from Universal is now on track for a $70.3 million opening three-day weekend (well […]

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Behind the US/Worldwide Weekend Box Office 8.25.2024

Posted August 25, 2024 by Mitch Salem

  OPENINGS:  None of the weekend’s wide arrivals found much of an audience.  BLINK TWICE (MGM/Amazon) led the weak group with $7.3M, and given its relatively low $20M+ production costs, it might hit breakeven, depending on how much the studio spent on marketing.  It was equally slow overseas with $6.7M in 73 markets. The Christian […]

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Behind the US/Worldwide Weekend Box Office 4.7.2024

Posted April 7, 2024 by Mitch Salem

  OPENINGS:  MONKEY MAN (Universal) walked an odd path to theaters, originally being targeted for a Netflix release.  While the result earned strong reviews (87% on Rotten Tomatoes), there was no storybook ending at the box office, as Dev Patel’s film was below expectations at $10.1M.  Nor did Monkey Man stir much excitement overseas, with […]

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Behind the US/Worldwide Weekend Box Office 10/11/15

Posted October 11, 2015 by Mitch Salem

  OPENINGS:  PAN (RatPac-Dune/Warners) now owns a dubious place in box office history, as one of Hollywood’s biggest flops ever.  On a production/worldwide marketing cost that will exceed $300M, its $15.5M US opening makes John Carter ($30.2M), Battleship ($25.5M), The Lone Ranger ($29.2M), and this year’s Tomorrowland ($33M), Fantastic Four ($25.7M) and even Jupiter Ascending ($18.4M) […]

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Behind the US/Worldwide Weekend Box Office 9/25/16

Posted September 25, 2016 by Mitch Salem

  OPENINGS:  It was important for THE MAGNIFICENT SEVEN (Village Roadshow/MGM/Columbia/Sony) to hit the $35M that the studio is currently claiming, because that puts it slightly over the two obvious comparisons:  the $34.1M for the last Denzel Washington/Antoine Fuqua collaboration The Equalizer, and the $34.5M just a few weeks ago for Sully, a film similarly […]

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