Our summertime look at the health of Hollywood’s studios continues.  We’ve already examined Disney and Warner Bros, and today Paramount is in our viewfinder. Since getting out of both the Marvel and the DreamWorks Animation business, Paramount has been sedate, even sedentary, with the quietest summer of any studio.  Management has been fairly stable, […]

> The Games are barely slowing down. THE HUNGER GAMES:  We’ll find out soon enough whether any of the genuinely exciting rumors about possible sequel directors (Alfonso Cuaron, David Cronenberg) are true, because Lionsgate needs Catching Fire in the can by early 2013, when Jennifer Lawrence has to report for X-Men duty.  For now, THE […]

> Tonight at 43 real Imax theatres (the ones with the huge squarish screens), Warner Bros debuted an extended trailer for next summer’s THE DARK KNIGHT RISES shot in the full Imax format, consisting of the opening sequence and an extra minute or so of quick clips from the rest of the movie.  Apart from […]

> Rise of the Planet of the Apes should open easily at #1 with over $43 million.  With broadly positive reviews behind it, this prequel should have decent holds in the following few weeks.  The Smurfs should slide into #2 with a decent second week decline ($21 million, down 41%).  Fighting for #3 should be […]

> The tiny 3% drop in PUSS IN BOOTS‘ second weekend is truly remarkable, and could well lead to studios adopting DreamWorks’ strategy in the future of opening an animated movie on Halloween weekend and then having a de facto 2d opening the following week.  (However, the picture is still running $13M below Megamind‘s 10 […]

> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization and a slightly more varied tone.  But the framework already exists for a solid action hit. The picture begins as a variant […]

> NEW YEAR’S EVE (Warners):  Hardly any bump from Saturday night couples meant about as low an opening as anyone could have reasonably imagined.  Even with some play during Christmas week, the picture may struggle to earn more than its $56M production budget (which is separate from a likely $100M+ worldwide marketing budget).  After J. […]

The Hobbit, like Breaking Dawn Part 2, is finally starting to peter out overseas (each around $550 million overseas and $800+ million worldwide).  Still growing briskly, Life of Pi has hauled in another $56 million overseas since last week’s report and is closing in on an impressive $500 million worldwide. Les Miserables was the second biggest American film overseas […]