> TRANSFORMERS:  DARK OF THE MOON becomes the latest franchise movie to fall short in the US compared to prior chapters of the series, despite an increased 3D ticket price.  (Like others, most notably Pirates 4, it may well make up the shortfall overseas.)  That doesn’t make a US gross of $350M anything to complain […]

>Weekend #16 of 2012 looks like it will be about $105 million for the top 12 films, down 14% from last year’s comparable weekend (led by Rio’s second weekend) but up 6% from the four-year average for this weekend.  The Hunger Games should finally fall out of first place, dropping about 38% this weekend to […]

>Now we slog through September.  The top 12 films usually gross $73 million the weekend after Labor Day, and the September weekends afterward average around $85 million.  By October, however, the typical weekend perks up to over $100 million.  Contagion should takeover the #1 spot this weekend, with Warrior fighting The Help for #2 and […]

> It may not literally be true that if you look up “hack” in the dictionary, you’ll find a picture of Brett Ratner.  In fact, not all his movies are terrible:  there’s Family Man, and… well, Family Man really wasn’t bad at all.  But did we need the director of Money Talks, Rush Hour, Rush […]

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearing out his DVD of Harold and Maude. Restless is way beyond twee; its mega-tweeness is like a Transformers movie compared […]

> No doubt the enormous success of THE LION KING hasn’t been lost on anyone at Disney, and we can expect to see 3D reissues of more classic animation over the next few years, leading into yet more homevideo editions. If not for Lion King being in the market, DOLPHIN TALE would almost certainly have […]

> And the hits keep on coming for the Academy:  following Brett Ratner’s hurried exit yesterday, Eddie Murphy has packed his host bag and left the building as well.  This isn’t a huge surprise, as Murphy was brought in by his Tower Heist director in the first place (and Heist isn’t proving to be the […]

> NEW YEAR’S EVE (Warners):  Hardly any bump from Saturday night couples meant about as low an opening as anyone could have reasonably imagined.  Even with some play during Christmas week, the picture may struggle to earn more than its $56M production budget (which is separate from a likely $100M+ worldwide marketing budget).  After J. […]