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SKEDBALL: March Madness TV Ratings

Through Thursday, coverage of the NCAA Men’s Basketball Tournament on CBS and the Turner networks (TNT, TBS and TruTV) is averaging almost 9.2 million viewers 2+ live+same day across the four networks in an average minute...
by Mitch Metcalf
 
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Top Cable and Broadcast Programs of the Week

Top broadcast and cable programs this week and last.  Shark Week kicked off Sunday on Discovery with the mockumentary Megalodon: Monster Shark at 9:00 pm, which matched the 2.2 True Blood rating with Adults 18-49 on HBO at...
by Mitch Metcalf
 
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The Sked: Monday Week 2 Ratings

NBC Monday is no fluke, with The Voice holding steady (not surprising) and Revolution hanging in there (more surprising).  CBS is suddenly incredibly mediocre on this once-proud night, ABC has slid to banality, and FOX has s...
by Mitch Metcalf
 
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Articles

THE SKED: The Day in Comings and Goings

  The Friday before a holiday weekend is a time-honored day to release bad news, but one of today’s events was a good one:  the announcement that HOW I MET YOUR MOTHER will return for a 9th and presumably final se...
by Mitch Salem
 
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THE SKED’S MONDAY NETWORK SCORECARD – 3/25/13

The Voice sings sweetly for NBC, NBC:  To the great relief of NBC, THE VOICE returned with a 4.7 rating, higher than the show’s fall average and just slightly below the highest rating of its fall cycle.  (It was, how...
by Mitch Salem
 
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THE SKED: CBS Season Finales

> As the season starts to wind down, CBS adds its season finale announcements to the chorus.  Interestingly most of the network’s shows will go into hibernation before the official final week of the season: Sunday Ap...
by Mitch Salem
 
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THE SKED”S PILOT + 1 REVIEW: “A Gifted Man”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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THE SKED: New Fall Show On-Air Promotion — August 1 Update

>With network on-air promotion activity tracked in hit summer shows (those at or above a 2.0 Adult 18-49 rating) for the second half of July, each network’s marketing strategies are becoming clearer. FOX, with only a 15-h...
by Mitch Salem
 
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THE SKED’S PILOT + 1 REVIEW: “Person Of Interest”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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THE SKED: Broadcast Ratings September 12-18

>The week before the big network Premiere Week has NBC in first with about a 2.7 Adult 18-49 rating for the week and the other three major broadcasters at about a 1.7 rating.  NBC was helped by another very ...
by Mitch Salem
 
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THE SKED: Week 2 + 1 – CBS Network Scorecard

> The third week of a network season is a critical one.  Ratings erosion after a series or season premiere is expected and even acceptable, because it’s understood that not every viewer drawn by hype and marketing wi...
by Mitch Salem
 
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Reviews

THE SKED Season Premiere Review: “Unforgettable”

  UNFORGETTABLE:  Sunday 9PM on CBS – If Nothing Else Is On… You may already have forgotten UNFORGETTABLE.  It debuted in fall 2011 as one of CBS’s seemingly inexhaustible supply of procedurals, its par...
by Mitch Salem
 
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THE SKED: “3” Reaches Zero

  After just 2 episodes and less than a single week, CBS has yanked the disastrous dating show 3 from its schedule.  No one can blame it:  the show launched with a “special” airing on Thursday after Big Broth...
by Mitch Salem
 
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Reviews

THE SKED SEASON FINALE REVIEW: “2 Broke Girls”

  Even with the nonstop double (sometimes barely single) entendres, 2 BROKE GIRLS is as basic and old-fashioned as a sitcom can be–it’s sort of a starter kit for CBS comedy.  Take 2 mismatched diner co-workers...
by Mitch Salem
 
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Reviews

THE SKED SEASON PREMIERE REVIEW: “2 Broke Girls”

  2 BROKE GIRLS:  Monday 9PM on CBS WHERE WE WERE:  At a Brooklyn diner, where Max (Kat Dennings) is a loudmouth waitress from the streets, and Caroline (Beth Behrs) is a former Manhattan socialite, down on her luck sinc...
by Mitch Salem
 
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