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Behind the US/Worldwide Weekend Box Office – 5.13.2018

  OPENINGS:  Even with a big Mother’s Day bump of 24% (the same as last year’s Snatched), the $18.5M weekend for LIFE OF THE PARTY (New Line/Warners) is the lowest of Melissa McCarthy’s starring career, ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5/15/16

  OPENINGS:  MONEY MONSTER (TriStar/LStar/Sony) held up well over the course of the weekend, thanks to an older audience that doesn’t rush out on Friday nights, and tripled its opening day to a $15M weekend total. ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.24.2023

  OPENINGS:  Christmas Day is one of the highest-grossing days of the year, and it will give a major bump to everything in the market.  Even with that boost, AQUAMAN & THE LOST KINGDOM (DC/Warners) was only able to m...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10.6.2024

  OPENINGS:  Amazingly, the 58% first weekend plunge from $96.2M for 2019’s Joker to $40M for JOKER: FOLIE A DEUX (DC/Warners) understates how much audiences hated the new film.  For that, you have to look to the r...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2/21/16

  OPENINGS:  RISEN (Affirm/Columbia/Sony) topped the weekend’s arrivals with an $11.8M start that was above the $11.4M for War Room and the $9.2M for God’s Not Dead, although it was well below Heaven Is For Re...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.27.2017

  OPENINGS:  LEAP (Weinstein) was the weekend’s tallest dwarf, claiming to have cleared $5M for the weekend, but that number will require an extremely strong Sunday hold.  Even if it’s sustained in tomorrow&#...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 10.18.2020

  OPENINGS:  We’re starting to get a feel for what this pandemic box office looks like, absent big-studio blockbusters.  This week’s HONEST THIEF (Open Road) opened at $3.7M in 2425 theatres (a weekend per-th...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7.23.2023

  OPENINGS:  The most hyped box office weekend of the year delivered and then some.  BARBIE (Mattel/Warners) burst into theaters with $155M, technically the best of the year (although the $146.4M for Super Mario Bros cam...
by Mitch Salem
 
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Behind the US/Worldwide Box Office – 4.23.2023

  OPENINGS:  EVIL DEAD RISE (Warners) modestly exceeded expectations with $23.5M, although that was still below the franchise’s last reboot in 2013 at $25.8M (which only reached a $54.2M total in the US and didnR...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 1.24.2021

  OPENINGS:  There was a barely-wide opening for OUR FRIEND (Gravitas, also on VOD) at 543 theatres with a $250K weekend that translated into a quiet per-theatre average of $460. HOLDOVERS:  THE MARKSMAN (Open Road) dipp...
by Mitch Salem
 
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Behind the Weekend US/International Box Office – 6/8/14

  International Box Office Note:  This is the last weekend before the World Cup begins diverting much of the planet’s attention (except, of course, in the US) away from movies for the next month.  That’s expe...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 03.19.2017

  OPENINGS:  According to published reports, Emma Watson’s deal on BEAUTY & THE BEAST (Disney) starts at a $3M base, but rises to $15M if the film reaches around $750M worldwide.  It seems like Watson can safel...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.10.2023

  OPENINGS:  Hiyao Miyazaki’s THE BOY AND THE HERON (GKids) exceeded expectations and set a high-water mark for its filmmaker and for non-franchise Japanese animation with a $12.8M launch.  The film will lose its I...
by Mitch Salem
 
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New Year’s Weekend Box Office Update

  Official studio estimates are in for New Year’s Weekend in the US, but overseas numbers are still sketchy.  A few notes: ROGUE ONE (Lucasfilm/Disney) had a US result in keeping with preliminary numbers, up 15% on ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5.21.2017

  OPENINGS:  ALIEN: COVENANT (TSG/20th) slumped almost as badly on its 2d day of release as the unpopular Prometheus (22% vs 25%), and the result was a lackluster $36M weekend in the US–and even that number includes...
by Mitch Salem
 
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