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THE SKED: Season Finales and Summer Starts

  February sweeps is still a few hours away from its conclusion, but the end of the 2012/13 television season is just around the corner, and the launch of TV’s summer season instantly follows.  Summer, which used to...
by Mitch Salem
 
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Articles

THE SKED’S TUESDAY NETWORK SCORECARD – 2/26/13

CBS is going to win this season, but not on the strength of its new series. CBS:  The one area where CBS has been weak this season (although no weaker than anyone else) has been in launching new series, with only Elementary ha...
by Mitch Salem
 
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Pilot + 1

THE SKED’S PILOT + 1 REVIEW: “Cult”

  CULT:  Tuesday 9PM on CW Previously… on CULT:  Stay with me here.  “Cult” is a fictional TV series that airs on a fictional version of the CW, in which the deranged followers of Billy Grimm (Rob Knep...
by Mitch Salem
 
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Articles

The Sked: The Value of Sports Programming and Updated Full Season Forecasts

What does football mean to the broadcast networks?  For NBC and CBS, NFL coverage (along with other sports, mostly an occasional college football game) accounts for about 20-30% of the entire primetime rating for the network. ...
by Mitch Metcalf
 
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Articles

THE SKED’S MONDAY NETWORK SCORECARD – 2/25/13

CBS takes a hit. CBS:  The only good news of the night was that HOW I MET YOUR MOTHER held steady at 3.4 (although the episode itself was another “running in place” half-hour, as the show continues to put off reach...
by Mitch Salem
 
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Pilot Reports

PREMIERING TONIGHT: THE SKED PILOT REPORT: “Golden Boy”

  GOLDEN BOY:  Friday 9PM on CBS (special previews on Tuesday 2/26 and 3/5) – Potential DVR Alert CBS tries to have its procedural cake and eat its serialization with GOLDEN BOY.  Think of it as How I Met Your Moth...
by Mitch Salem
 
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Reviews

THE SKED SEASON FINALE REVIEW: “Bunheads”

  The second half of BUNHEADS‘s first (and potentially only) season seemed designed to drive even fans of Amy Sherman-Palladino a little crazy.  The auteur delights in having her characters dance on the head of conv...
by Mitch Salem
 
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Articles

THE DAY AFTER: Oscar Thoughts

  There are 4 ways an Oscar night can be memorable: A Great Host:  Seth MacFarlane was bad–maybe not James Franco bad, but bad.  The ways he was bad, though, weren’t in any way unexpected.  Meta-gags and cou...
by Mitch Salem
 
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Articles

SKEDBALL: Weekend Sports Ratings Bowl

The Daytona 500 on FOX Sunday crushed the competition, averaging a 10.0 household rating and 22 share from 1:30-4:45 in the 70% of the country with local Nielsen meters (in 56 of the largest TV markets).  Last year, the race a...
by Mitch Metcalf
 
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Articles

Weekly Broadcast Ratings and Year to Date

THE WEEK.  For the recently completed week ending Sunday (February 18-24, 2013), ABC will claim a rare victory with a preliminary 3.42 adult 18-49 rating in prime time, its best weekly showing of the year by far (thanks, of ...
by Mitch Metcalf
 
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Articles

The Sked: Oscar Ratings — Not a Disaster — UPDATE

Based on the fast national ratings for Sunday, the Academy Awards telecast should average around a 13.4 rating with adults 18-49 (adjusting the preliminary 12.1 rating upward to account for the Pacific time zone seeing the show...
by Mitch Metcalf
 
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Articles

SHOWBUZZDAILY OSCARS 2013 LIVE BLOG

  Welcome to SHOWBUZZDAILY‘s Academy Awards live blog.  Let’s take a moment to consider the world if America’s two great spectacles–the Super Bowl and the Oscars–swapped pre-event broadcasts....
by Mitch Salem
 
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Articles

INTERNATIONAL BOX OFFICE through February 24

A Good Day to Die Hard ballooned to $133 million overseas to date, pushing its worldwide estimate to over $200 million. Completely updated worldwide table follows.
by Mitch Metcalf
 
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Articles

WEEKEND STUDIO ESTIMATES February 22-24

Based on Saturday’s grosses, Weekend #8 of 2013 is looking a little stronger than it did yesterday but still down versus previous years.  The top 12 films Friday-Sunday should total $89 million (down 22% from the same w...
by Mitch Metcalf
 
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Articles

BEHIND THE WEEKEND BOXOFFICE – 2/24/13

  The Rock’s second-worst opening is second-best at the boxoffice this slow Oscar weekend. OPENINGS:  Boosted by a 36% Saturday rise, SNITCH (Summit/Lionsgate) is projecting a $13M weekend, although like all round n...
by Mitch Salem
 
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