>The monolith that is TRANSFORMERS:  DARK OF THE MOON has started its weekend.  With a combination of 9PM shows (that were supposedly all in 3D) and midnights, reports are that the picture made $13.5M last night.  This is considerably less than the $16M for midnight Transformers 2 shows, although more than the original Transformers ($8.8M […]

  The early Friday numbers this week are likely to be even less reliable than usual, since weather conditions on the East Coast make estimates very dicey.  That being said, the preliminary numbers at Deadline make it clear that come blizzard or high water, IDENTITY THIEF (Universal) will be the big winner of the weekend.  […]

> THE HELP continues to have a strong head start on the weekend boxoffice.  The Hollywood Reporter says the film grossed $4.3M on Thursday, down only around 20% from its opening day on Wednesday, which gives it almost $10M for the 2-day period.  This suggests the picture isn’t particularly front-loaded, and may foretell a solid […]

>The Hollywood Reporter has preliminary Friday numbers, and while the day’s boxoffice is looking like a close finish between GHOST RIDER: SPIRIT OF VENGEANCE (Sony) and THE VOW (Screen Gems/Sony), with both at $7-7.5M for the day, the likelihood is that over the course of the weekend–considering that new openings are more frontloaded (especially genre […]

  THE WOLVERINE (20th) is the weekend’s only big newcomer at the box office, and it got off to a healthy $4M start last night.  That number is particularly strong since Wolverine held off till 10PM to start its launch–unlike other summer openings that have begun their “Fridays” at 6-7PM on Thursday–and it was was […]

  The final chapter in the TWILIGHT saga, BREAKING DAWN PART 2, began its swoop through the boxoffice last night, and earned $30.4M.  This is, unquestionably, a ton of money, and technically–very narrowly–a record for the Twilight franchise, just barely beating out Breaking Dawn Part 1‘s $30.3M (although nowhere near the all-time midnight record $43.5M […]

  Belying its title, DUMB AND DUMBER TO (Red Granite/Universal) picked a strategically smart weekend to debut, facing very little fresh competition (because of last weekend’s Big Hero 6/Interstellar double bill and next week’s The Hunger Games installment) and even less comedy.  The result was a strong $13.9M Friday (including $1.6M from Thursday night) according […]

  Although some films have opened well against the Super Bowl, both counterprogramming (the Hannah Montana concert movie and Dear John) and playing toward the action genre (Taken and Chronicle), as a rule the studios stay away, and that was the case this year.  The only wide opening was the low-budget horror flick WINCHESTER (CBS/Lionsgate), […]