The Disney machine is hitting an atypical pothole with DUMBO (Disney), which according to preliminary numbers at Deadline had a $14.8M Friday ($2.6M of that from Thursday night).  That’s very much on the low end of the studio’s live-action remakes of its own animated classics, behind the opening days for Beauty & The Beast […]

  Box office years typically start slow, with strong holds for holiday openings, and that’s proving to be the case for 2019 as well.  AQUAMAN (DC/Warners) will retain its crown, as early numbers at Deadline indicate a 46% decline on its 3rd Friday to $9.1M, which should mean a $30M weekend, and a path that […]

  The lack of any new wide openings and the arrival of the year’s Golden Globe nominations are making for a strong holdover weekend, although for some titles more than others.  According to preliminary numbers at Deadline, RALPH BREAKS THE INTERNET (Disney) continued to decline rather swiftly, down 38% from last Friday to $3.5M, where Moana […]

  The enduring respect and admiration for Get Out, and its own enthusiastic reviews, are pushing Jordan Peele’s US (Blumhouse/Perfect World/Universal) way past expectations.  According to preliminary numbers at Deadline, opening day was $28.6M (including $7.4M from Thursday night), which means that in one day, Us has already earned more than 85% of Get Out‘s […]

  THE MAZE RUNNER:  DEATH CURE (20th) will win the weekend, although not in particularly impressive fashion.  According to preliminary numbers at Deadline, its opening day was $8.4M (including $1.5M from Thursday night), down from the $11.3M start for the first Maze Runner, and the $11M for Scorch Trials.  It should have $23.5M by Sunday, […]

  Tossing IN THE HEART OF THE SEA (Village Roadshow/Warners) onto what is historically one of the weakest box office weekends of the year–and this year also just days ahead of the arrival of cinema’s Death Star–was a Hail Mary, and it’s not paying off.  Based on preliminary numbers at Deadline, it earned $4M on […]

  Seasonal Note:  Good Friday is traditionally a strong day for moviegoing, which explains the generally solid Friday-to-Friday holds below.  Easter Sunday, though, is less of a movie day, potentially bringing down weekend multiples. OPENINGS:  HEAVEN IS FOR REAL (TriStar/Sony) is impressively overperforming, its $7.9M Friday added to $7M from Wednesday and Thursday for a […]

> THE HELP will be the year’s first “serious” movie to gross over $100M.  September is traditionally one of the softest months on the movie release calendar, and 2011 is no exception:  although there are a few promising arrivals like Steven Soderbergh’s Contagion and the film adaptation of  Moneyball, the major openings (they hope) include […]