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EARLY FRIDAY BOX OFFICE: “Crazy Rich Asians” Cashes In, “Mile 22” Dim, “Alpha” Fails

Posted August 18, 2018 by Mitch Salem

  The gamble of CRAZY RICH ASIANS (Color Force/SK Global/Warners) is paying off with solid returns.  The film opened on Wednesday and earned $8.8M in its first two days, and preliminary numbers at Deadline have its Friday at $7M.  That should give it a $21M 3-day weekend and around $30M since opening day.  A $70M […]

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Behind the US/Worldwide Box Office – 6/19/16

Posted June 19, 2016 by Mitch Salem

  OPENINGS:  FINDING DORY (Pixar/Disney) had a 17% Saturday drop, which is on the high side for an animated blockbuster (Inside Out fell 10% on its 2d day, Monsters University was down 6%, and Minions 16%).  That suggest that the overall multiple from opening weekend may not reach the heady heights that Pixar is used […]

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EARLY FRIDAY BOX OFFICE: “Bourne” Solid, “Bad Moms” Fair, “Nerve” Slowing

Posted July 30, 2016 by Mitch Salem

  JASON BOURNE (Universal) is performing in line with expectations.  Preliminary numbers at Deadline have its opening day at $22M (including $4.3M from Thursday night), down just 10% from the $24.7M start (with no Thursday screenings) for 2007’s Bourne Ultimatum, the last Matt Damon/Paul Greenglass title in the franchise.  Great word of mouth gave Ultimatum […]

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THURSDAY NIGHT BOX OFFICE: “The Conjuring” Scares the Competition; “R.I.P.D.” Rots and Updated Thursday Box Office Chart

Posted July 19, 2013 by Mitch Salem

  The weekend looks highly promising for THE CONJURING (Warners), which haunted up $3.3M in screenings that began 7PM on Thursday night.  Although other summer openings have had similar mid-$3M starts (including The Great Gatsby and World War Z), the closest analogue here is probably the $3.4M earned by low-budget The Purge in its Thursday […]

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Behind the US/Worldwide Weekend Box Office – 7/17/16

Posted July 17, 2016 by Mitch Salem

  OPENINGS:  GHOSTBUSTERS (Village Roadshow/Columbia/Sony) is reporting a $46M weekend (that number assumes the lowest Sunday drop in the Top 10, so it may come down a bit in finals), about 10% higher than the start for Independence Day: Resurgence and 20% higher than The Legend of Tarzan, all on similar $275M+ production/marketing budgets.  None […]

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EARLY FRIDAY BOX OFFICE: “Miss Peregrine,” “Deepwater Horizon” Slow, “Magnificent 7″” Drops

Posted October 1, 2016 by Mitch Salem

  Both of the weekend’s major openings cost too much for the amount they’re currently earning.  MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) has production/marketing costs of $225M+, and preliminary numbers at Deadline have its opening day at roughly $9M (including $1.2M from Thursday night).  That suggests a $25-27M weekend, which would be an even […]

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Behind the US/Worldwide Weekend Box Office – 5.14.2017

Posted May 14, 2017 by Mitch Salem

  OPENINGS:  Box office receipts for Mothers Day haven’t been counted yet, but SNATCHED (TSG/20th) is assuming (probably justifiably) that it will be the holiday choice, which brings the studio’s weekend estimate to $17.5M.  That’s still 43% below the start for Trainwreck, and with roughly $125M in production/marketing costs, it’s going to be an uphill […]

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Behind the US/Worldwide Weekend Box Office – 11.6.2022

Posted November 6, 2022 by Mitch Salem

  OPENINGS:  ONE PIECE FILM: RED (Crunchyroll/Sony) opened at $9.5M, on the low end of recent national anime releases compared to Jujutsu Kaisen‘s $18M and Dragon Ball Super‘s $21.1M.  As is typical for the genre, it was extremely frontloaded, earning more than 50% of its weekend total by the end of Friday.  However, its US […]

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