STRAIGHT OUTTA COMPTON (Legendary/Universal) had a smashing start, with preliminary numbers at Deadline giving it $22.8M on Friday (that includes $5M from Thursday night).  With a production budget under $30M and a moderate marketing campaign, Compton will be well on the road to profit by the end of the weekend, providing a finishing touch […]

Weekend #41 of 2014 is looking like $126 million for the top 12 films this weekend, up 19% from the norm for this weekend. Opening at around 3,000 theaters Friday (above the 2,886 average theater count for opening weekends the last two years), Alexander and the Terrible, Horrible, No Good, Very Bad Day from Disney should average a barely […]

  OPENINGS:  With a $27.4M start, 2 GUNS (Universal) is probably headed for $85M in the US, a fair if unexciting return for a movie that claims to have (post-tax credits) a $61M production budget.  With Universal taking its marketing expenses and distribution fees off the top, there won’t be much profit for financiers Emmett-Furia […]

  OPENINGS:  THE INTRUDER (Screen Gems/Sony) performed on target with $11M, and given the massive competition and the fates of the weekend’s other arrivals, that counted as a win.  It still wasn’t anything to get excited about, considering that similar Screen Gems releases like When The Bough Breaks ($14.2M), No Good Deed ($24.3M) and The […]

  The gamble of CRAZY RICH ASIANS (Color Force/SK Global/Warners) is paying off with solid returns.  The film opened on Wednesday and earned $8.8M in its first two days, and preliminary numbers at Deadline have its Friday at $7M.  That should give it a $21M 3-day weekend and around $30M since opening day.  A $70M […]

  OPENINGS:  ARTHUR THE KING (Lionsgate) was clearly hoping to emulate the sleeper success of 2022’s Dog, which ran a $14.9M opening into $61.8M in the US.  However, the Mark Wahlberg vehicle came up very short with a $7.5M start.  Production/marketing costs are reportedly $60M, which will make for a tough road to profit.  Arthur […]

  OPENINGS:  The big studios wanted no part of the weekend after Thanksgiving, and the only arrivals were a pair of fringe indies.  Even for a micro-budgeted horror product, INCARNATE (High Top/Blumhouse/Universal) was a flop at $2.7M. In a barely-wide release at 639 theatres, the Christian-themed BELIEVE (Freestyle) attracted no one outside the flock (and […]

  THE REVENANT (Regency/20th) is showing impressive strength in its first day of wide release, after 2 strong weeks at NY/LA arthouses.  Preliminary numbers at Deadline give it $14M+ on Friday, putting it surprisingly into 1st place and confirming that Leonardo DiCaprio is one of the few “movie stars” these days who actually sells tickets.  […]