OPENINGS:  SPIDER-MAN: HOMECOMING (Marvel/Columbia/Sony) was considerably more front-loaded than initial enthusiasm suggested, dropping 27% on Saturday, and pushing its weekend total to $117M.  While the weekend result was still a very big number, that Saturday decline was far steeper than the 8-9% Day 2 drops for Wonder Woman and Guardians of the Galaxy 2 […]

  OPENINGS:  THE GRINCH (Illumination/Universal) rode its family movie 47% Saturday bump to a $66M weekend, 20% better than 2000’s How The Grinch Stole Christmas.  There are relatively few recent mid-November family movie releases, because Disney has established its ownership of the Thanksgiving corridor that starts less than 2 weeks later (this year’s installment is […]

  OPENINGS:  CRAWL (Paramount) may be an example of a studio outsmarting itself.  Paramount held no critics screenings, presumably because disdain was expected, and thus was unable to create any advance buzz around a response that turned out to be remarkably enthusiastic (88% on Rotten Tomatoes).  The result was a tepid $12M opening, and since […]

  It’s been a while since we’ve had a chance to look at box office together, and the period has been a busy one, with the return of Hollywood blockbusters like A Quiet Place Part II, F9, The Suicide Squad and Black Widow to theaters (some exclusively, others shared with various forms of home availability).  […]

  OPENINGS:  After an interruption for The Batman, the MCU resumed its place at the top of popular culture with the arrival of DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (Marvel/Disney), which launched within the industry’s very high expectations at $185M in the US.  That’s roughly the same as Avengers: Age of Ultron ($191.3M), and […]

  OPENINGS:  The Gerard Butler vehicle PLANE (Lionsgate) launched with $10M over the 3-day weekend ($11.6M with the Monday holiday), a sturdy number although not up to the $21.4M for Butler’s pre-pandemic Angel Has Fallen.  It hasn’t yet opened overseas. HOUSE PARTY (Warners), originally set for HBO Max, had a mild start with $3.8M ($4.5M […]

  OPENINGS:  THE EXORCIST: BELIEVER (Blumhouse/Morgan Creek/Universal) was at the low end of expectations with $27.2M, and it was also below projections internationally with $17.9M in 52 markets.  It’s hard to tell just what this means in terms of the bottom line, because while a $125M worldwide total wouldn’t look terrible against $30M in production […]

  OPENINGS:  The box office for TWISTERS (Warners/Universal) was paradoxical.  In the US, the movie strongly outperformed expectations with $80.5M.  However, it showed much less appeal overseas, with $27.1M in 76 territories this weekend ($42.7M to date including some revenue from markets that opened last week).  Twisters is also about to lose virtually all its […]