Showbuzz Daily


 
Posts Tagged ‘international box office’
Recent
Most Commented
Random
 

 
Articles

BEHIND THE WEEKEND BOXOFFICE – 6/23/13

  OPENINGS:  Allowing for the usual studio practice of predicting lower-than-typical Sunday drops to boost the numbers a bit, MONSTERS UNIVERSITY (Disney/Pixar) opened in line with expectations at what may be slightly les...
by Mitch Salem
 
Full Story »

 
 
Articles

Behind the US/Worldwide Weekend Box Office – 11/27/16

  OPENINGS:  MOANA (Disney Animation) notched the #2 5-day Thanksgiving opening of all time with $81.1M (unless tomorrow’s finals put it behind Toy Story 2‘s $80.1M), and it should easily hit $250M before it&#...
by Mitch Salem
 
Full Story »

 

 
Articles

Behind the US/Worldwide Weekend Box Office – 5/15/16

  OPENINGS:  MONEY MONSTER (TriStar/LStar/Sony) held up well over the course of the weekend, thanks to an older audience that doesn’t rush out on Friday nights, and tripled its opening day to a $15M weekend total. ...
by Mitch Salem
 
Full Story »

 
 
Articles

Behind the US/Worldwide Weekend Box Office – 8.7.2022

  OPENINGS:  BULLET TRAIN (Columbia/Sony) opened in line with general predictions at $30.1M, but that’s not the same as a good result.  The film carries around $175M in production/marketing costs, and faces a long ...
by Mitch Salem
 
Full Story »

 

 
Articles

Behind the US/Worldwide Weekend Box Office – 2.4.2024

  OPENINGS:  ARGYLLE (Apple/Universal) arrived within blah expectations at $18M.  That makes it the third consecutive wildly expensive theatrical flop for Apple (with worldwide marketing included, costs were around $300M...
by Mitch Salem
 
Full Story »

 
 
Articles

Behind the US/Worldwide Weekend Box Office – 5/31/15

  OPENINGS:  SAN ANDREAS (Village Roadshow/RatPac Dune/New Line/Warners) had a solid 13% Saturday bump that propelled it to a $53.2M weekend, significantly above expectations–and with no direct competition arriving ...
by Mitch Salem
 
Full Story »

 

 
Articles

Behind the US/Worldwide Weekend Box Office – 5.27.2018

  OPENINGS:  With the addition of Saturday and overseas numbers, SOLO (Lucasfilm/Disney) is starting to shift from a disappointment to a potential disaster.  In the US, Solo fell 30% on Saturday (by comparison, last year...
by Mitch Salem
 
Full Story »

 
 
Articles

Behind the US/Worldwide Box Office – 4.2.2023

  OPENINGS:  While DUNGEONS & DRAGONS:  HONOR AMONG THIEVES (eOne/Paramount) launched at the upper end of expectations, $38.5M (which included an unusually intense program of preview screenings) was a shaky start ...
by Mitch Salem
 
Full Story »

 

 
Articles

Behind the US/Worldwide Box Office – 9.22.2024

  OPENINGS:  TRANSFORMERS ONE (Hasbro/Paramount) underdelivered vs projections by about 20%, and its dim $25M start didn’t even give it the weekend’s #1 ranking at the box office.  Paramount was taking a calc...
by Mitch Salem
 
Full Story »

 
 
Articles

Behind the US/Worldwide Weekend Box Office – 4.15.2018

  OPENINGS:  Although the numbers are lower, RAMPAGE (New Line/Warners) is playing much like Kong: Skull Island, another giant monster movie judged by parents to be child-friendly.  Rampage rose 20% on Saturday, giving...
by Mitch Salem
 
Full Story »

 

 
Articles

US/Worldwide Weekend Box Office Report – 11.22.2020

  OPENINGS:  With the pandemic raging throughout the country and about 20% fewer theatres open than last week, box office numbers plunged across the board.  There were no truly wide openings, but the Jackie Chan vehicle ...
by Mitch Salem
 
Full Story »

 
 
Articles

Behind the US/Worldwide Weekend Box Office – 11.11.2018

  OPENINGS:  THE GRINCH (Illumination/Universal) rode its family movie 47% Saturday bump to a $66M weekend, 20% better than 2000’s How The Grinch Stole Christmas.  There are relatively few recent mid-November famil...
by Mitch Salem
 
Full Story »

 

 
Articles

Behind the US/Worldwide Box Office – 12/18/16

  OPENINGS:  For ROGUE ONE (Lucasfilm/Disney), massive success was taken for granted, and the question was how big a standalone spin-off entry in the Star Wars canon could be.  The answer is pretty damn big:  its $155M ...
by Mitch Salem
 
Full Story »

 
 
Articles

Behind the US/Worldwide Weekend Box Office – 11.3.2019

  OPENINGS:  The entertainment business revolves these days around IP, but not all franchises are created equal, and there turned out to be a thunderous lack of interest in TERMINATOR: DARK FATE (Skydance/Tencent/20th/Dis...
by Mitch Salem
 
Full Story »

 

 
Articles

Behind the US/Worldwide Weekend Box Office – 1.12.2020

  OPENINGS:  The release strategy for 1917 (Universal) has gone just about perfectly, culminating in a $36.5M wide opening weekend that was significantly ahead of industry expectations.  Universal screened the film to cr...
by Mitch Salem
 
Full Story »

 

 
 

 

Search

 

 

Archive

 

 

Newsletter Sign-up