Posts Tagged ‘weekend box office’
 

 

Behind the US/Worldwide Weekend Box Office – 5.21.2017

  OPENINGS:  ALIEN: COVENANT (TSG/20th) slumped almost as badly on its 2d day of release as the unpopular Prometheus (22% vs 25%), and the result was a lackluster $36M weekend in the US–and even that number includes...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 3/22/15

  OPENINGS:  INSURGENT (Summit/Lionsgate) had a stronger Saturday hold than Divergent (down 7% instead of 13%), and based on that, Liosgate is also claiming a stronger Sunday hold (down 35% instead of 40%).  That gives I...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 1/11/15

  OPENINGS:  TAKEN 3 (Europa/20th) had a very decent 5% Saturday bump (so much for the movie’s quality affecting word of mouth), and is currently claiming a $40.4M weekend, which would make it the #2 January opening...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 9.29.2019

  OPENINGS:  ABOMINABLE (Pearl/DreamWorks/Universal) seized a weekend on the calendar that had a dearth of new children’s movies (and with 2 weeks until The Addams Family opens), and pushed it to a fair $20.9M openi...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 10/2/13

  OPENINGS:  The studio-reported $28.5M weekend for Tim Burton’s MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) is below the $29.7M opening for Burton’s flop Dark Shadows.  Miss Peregrine cost l...
by Mitch Salem
 

 
 

US/Worldwide Weekend Box Office Report – 4.25.2021

  OPENINGS:  The theatrical box office continued to pick itself up off the floor this weekend with two high-performing R-rated action movies, which thrived despite an overlapping target audience and the availability of on...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.15.2020

  This was the weekend that the COVID-19 crisis hit the box office in earnest, and while that fact pales in importance compared to the human cost of the pandemic, it’s going to represent a multi-billion dollar hit th...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 6.10.2018

  OPENINGS:  OCEAN’S EIGHT (Village Roadshow/Warners) had a $41.5M weekend, the highest of the Ocean’s movies by a bit (not adjusting for inflation).  The only point of concern is that it’s the first Oc...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 7.1.2018

  OPENINGS:  SICARIO: DAY OF THE SOLDADO (Black Label/Columbia/Sony) had a modest $19M start, which was better than the first Sicario‘s $12.1M (in October, after 2 weeks of limited release), but perhaps not by enoug...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 4.15.2018

  OPENINGS:  Although the numbers are lower, RAMPAGE (New Line/Warners) is playing much like Kong: Skull Island, another giant monster movie judged by parents to be child-friendly.  Rampage rose 20% on Saturday, giving...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 8.7.2022

  OPENINGS:  BULLET TRAIN (Columbia/Sony) opened in line with general predictions at $30.1M, but that’s not the same as a good result.  The film carries around $175M in production/marketing costs, and faces a long ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 3.27.2022

  OPENINGS:  THE LOST CITY (Paramount) opened at the high end of expectations at $31M, a particularly solid result these days for a movie that skews both female and older (the latter crowd evident in the 2% Friday-to-Satu...
by Mitch Salem
 

 

 

Behind the Weekend Box Office – 8.29.2021

  OPENINGS:  Horror has been one of the more reliable genres at the pandemic box office, and CANDYMAN (MGM/Universal) opened with a solid $22.4M, buoyed by unusually good reviews (85% on Rotten Tomatoes).  That offset a ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 10.9.2022

  OPENINGS:  LYLE LYLE CROCODILE (Columbia/Sony) arrived below expectations at $11.5M (it might reach $13.4M with the Monday holiday), unable to take advantage of the 11-week gap since the last major family movie opened.�...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.25.2018

  OPENINGS:  RALPH BREAKS THE INTERNET (Disney) was somewhat frontloaded, with a 44% drop on Day 2, so it didn’t challenge Frozen‘s $93.6M record for the biggest 5-day Thanksgiving opening.  But Disney has no...
by Mitch Salem