The midweek boxoffice path of THE DARK KNIGHT RISES has been oddly up and down. Compared to the trajectory of The Dark Knight, it’s had a worse Monday, a better Tuesday, a worse Wednesday, and now a better Thursday, as Rises took in an additional $13.2M yesterday for a 7-day total of $225M. Rises […]
It’s been 7 weeks since Christopher Robin arrived for the family audience, and THE HOUSE WITH A CLOCK IN ITS WALLS (Universal) took advantage of that drought with a $7.7M opening day according to early numbers at Deadline, which should give it a $24M weekend. House had a moderate production budget and a marketing […]
Neither THE HEAT (20th) nor WHITE HOUSE DOWN (Sony) is expected to turn many heads at the box office this weekend (Mitch Metcalf’s predictions are here), and that was reflected in their early Thursday night and midnight Friday results. White House, which started its screenings at 7PM, earned $1.35M, while The Heat, which waited until […]
Franchises are the lifeblood of Hollywood, so it has to chill studios to see three of those entries falter in a single 2-weekend period, especially since the stakes are higher for this week’s arrivals than last week’s Neighbors 2. Based on the preliminary $27M Friday number at Deadline, X-MEN: APOCALYPSE (TSG/20th) is running almost […]
> The Hollywood Reporter has fresher boxoffice numbers. MONEYBALL’s start isn’t quite as high as it had looked, but a Friday close to $7M is still excellent, and should lead to a $20M or so weekend, especially since exit polls indicate audiences are in line with critics on this one. THE LION KING, entering what’s […]
On Tuesday, THE DARK KNIGHT RISES added $17.8M to its Wayne Manor-sized vault, giving it a total of $198M in 5 days of release. It was the only movie in the Top 10 to decline yesterday, but that’s typical for the previous weekend’s big opening. It has the #5 5-day total of all time, […]
STAR TREK BEYOND (Skydance/Alibaba/Huahua/Paramount) is showing a fair franchise hold by the standards of this summer. Based on preliminary numbers at Deadline, it had a $23M opening day (including $5.5M from Thursday), down about 26% from the start of 2009’s Star Trek reboot. (2013’s Into Darkness opened on a Thursday, changing its weekend dynamic.) That suggests a $57M […]
THE MUMMY (Perfect World/Universal) is a disaster, although the studio and its minions will try to spin otherwise through the course of the weekend. According to preliminary numbers at Deadline, it earned $12M on opening day ($2.7M of it from Thursday night), which puts it in line for a $30M weekend and a US […]