Despite some of the best reviews of the year for any movie, big studio or indie, WAR FOR THE PLANET OF THE APES (TSG/20th) is off to a merely OK start. According to preliminary numbers at Deadline, it had a $21.1M opening day (including $5M from Thursday night), putting it 24% behind the $27.6M […]
PIXELS (Columbia/Sony) was marketed on its high concept rather than as an Adam Sandler star vehicle, perhaps reflecting not just Sandler’s dwindling value, but the shuttering of his long-term acting relationship with the studio as he moves to Netflix. The result was better than some of Sandler’s recent flops, but far from exciting: according […]
GET OUT (Blumhouse/Universal) is the latest hit from the prolific low-budget horror production company that still has Split in the market, off to a fast start according to preliminary numbers at Deadline with $10.5M on Friday (including $1.8M from Thursday night). Unlike most titles in the genre, Get Out also boasts terrific reviews (an […]
The Disney machine is hitting an atypical pothole with DUMBO (Disney), which according to preliminary numbers at Deadline had a $14.8M Friday ($2.6M of that from Thursday night). That’s very much on the low end of the studio’s live-action remakes of its own animated classics, behind the opening days for Beauty & The Beast […]
DEC. 26 UPDATE: A mere adjustment to overaggressive estimation or an early sign, in this instant word-of-internet age, that audiences aren’t having a good time? The major change from last night’s early numbers is that THE WOLF OF WALL STREET slipped to $9.2M, falling behind THE HOBBIT: THE DESOLATION OF SMAUG for 2d place […]
As the 2018 box office enters the Martin Luther King holiday weekend, most of its strength still lies in 2017 releases. According to preliminary numbers at Deadline, JUMANJI: WELCOME TO THE JUNGLE (Columbia/Sony) is on track to win its 4th weekend of release. Friday’s $6M take was down 44% from last week, and with […]
VENOM (Tencent/Columbia/Sony) is the first big-budget action movie to open since The Meg in mid-August, and that (plus a huge marketing campaign) seems to have gotten it past murderous reviews for an enormous start, the biggest ever in October. Preliminary numbers at Deadline have opening day at $32.3M (including $10M from a Thursday that […]
The box office race is likely to be tight this weekend, with contenders at either end of the quality spectrum. THE EMOJI MOVIE (Columbia/Sony) drew first blood with a $10.2M opening day (including $900K from Thursday night), according to preliminary numbers at Deadline. That’s $2.2M better than the first day of Captain Underpants last […]