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Behind the US/Worldwide Weekend Box Office – 11.24.2024

  OPENINGS:  The $114M launch of WICKED (Universal) (which included “fan event” screenings throughout the previous week) set a new high for Broadway musical adaptations, and indeed for live-action musicals in ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 1.14.2024

  OPENINGS:  The musical remake of MEAN GIRLS (Paramount) was within expectations at $28M for the 3-day weekend ($32M is anticipated with the inclusion of Monday’s MLK Day holiday).  The film, which was originally ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10.16.2022

  OPENINGS:  HALLOWEEN ENDS (Universal, also on Peacock) underperformed badly with $41.3M, about 25% below pre-release expectations, and 17% under the $49.4M start for last year’s Halloween Kills, despite a stronger...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.17.2023

  OPENINGS:  WONKA (Warners) kicked off the holiday movie season with $39M, at the upper end of expectations.  As a family entertainment, it can look forward to a high multiple into January, and could reach $200M+ in the...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 5.9.2021

  OPENINGS:  WRATH OF MAN (Miramax/UA/MGM) held solidly through the weekend and emerged with $8.1M, better than Nobody‘s recent $6.8M start, and not too far below the $10.7M for Guy Ritchie’s pre-pandemic The ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.11.2024

  OPENINGS:  IT ENDS WITH US (Wayfarer/Columbia/Sony) roared past expectations with a remarkable $50M.  That studio estimate comes with a couple of asterisks–it includes an unspecified amount from wide Wednesday sc...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.8.2024

  OPENINGS:  The first weekend of December brought the usual assortment of indies seeking a toehold before the holiday giants arrive, although this year was unusual in being dominated by Thanksgiving blockbusters, which g...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 1.16.2022

  OPENINGS:  The 18-34 audience that now defines theatrical distribution in the US showed up for SCREAM (Skyglass/Paramount), propelling the reboot to $30.6M for the 3-day weekend and $35M for the 4-day holiday.  Reporte...
by Mitch Salem
 
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Behind The US/Worldwide Weekend Box Office – 9.26.2021

  OPENINGS:  DEAR EVAN HANSEN (Universal) clunked badly with a $7.5M debut, following on the heels of the underperforming In the Heights and underlining that while musicals can score at the box office, they remain a risky...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5.2.2022

  OPENINGS:  With the latest MCU extravaganza waiting in the wings, Hollywood studios kept their wares out of the market, and the only arrival was the latest Liam Neeson vehicle (incredibly, he’s had 6 films in rele...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2.4.2024

  OPENINGS:  ARGYLLE (Apple/Universal) arrived within blah expectations at $18M.  That makes it the third consecutive wildly expensive theatrical flop for Apple (with worldwide marketing included, costs were around $300M...
by Mitch Salem
 
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Behind the US/Worldwide Box Office – 1.12.2025

  OPENINGS:  The first “major” release of 2025, DEN OF THIEVES:  PANTERA (Lionsgate) hit its target with a $15.5M launch, almost exactly the same as the $15.2M start for 2018’s Den of Thieves.  That on...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.1.2024

  OPENINGS:  It was the Thanksgiving holiday of Hollywood’s dreams, spearheaded by the record-breaking performance of MOANA 2 (Disney), which shoveled in $221M during the Wed-Sun period and $135.5M for the weekend i...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 4.25.2021

  OPENINGS:  The theatrical box office continued to pick itself up off the floor this weekend with two high-performing R-rated action movies, which thrived despite an overlapping target audience and the availability of on...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.21.2022

  OPENINGS:  With little else new around, DRAGON BALL SUPER: SUPER HERO (Crunchyroll/Sony) seized the weekend with $20.1M, a bit lower than the studio’s Dragon Slayer: Mugen Train, which opened with $21.2M at about ...
by Mitch Salem
 
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