Posts Tagged ‘pandemic box office’
 

 

Behind the US/Worldwide Box Office – 5.21.2023

  OPENINGS:  FAST X (Universal) arrived with $67.5M.  In the US, that was slightly below the $70M for F9, one of the first big-ticket movies to brave a wide pandemic-era release in May 2021.  In terms of the franchise a...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 8.25.2024

  OPENINGS:  None of the weekend’s wide arrivals found much of an audience.  BLINK TWICE (MGM/Amazon) led the weak group with $7.3M, and given its relatively low $20M+ production costs, it might hit breakeven, depe...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 9.1.2024

  OPENINGS:  A variety of studios threw product at the Labor Day weekend wall.  None of them broke through, but REAGAN (ShowbizDirect) zeroed in on its target audience–reportedly nearly 2/3 of the audience was over...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 11.6.2022

  OPENINGS:  ONE PIECE FILM: RED (Crunchyroll/Sony) opened at $9.5M, on the low end of recent national anime releases compared to Jujutsu Kaisen‘s $18M and Dragon Ball Super‘s $21.1M.  As is typical for the g...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 2.20.2022

  OPENINGS:  UNCHARTED (Columbia/Sony) had a strong start with $44.2M ($51M with the holiday Monday), once again largely due to the M18-34 demo, but also suggesting that Tom Holland may be emerging as an action star even ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 6.18.2023

  OPENINGS:  There wasn’t any good news for this week’s wide releases, and that began with the weekend’s leader, as THE FLASH (DC/Warners) failed to meet even the lowest expectations with a sluggish $55....
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 10.2.2022

  OPENINGS: As studio greenlight and release strategies continue to morph, one thing that’s clear is that there will never be a shortage of low-budget horror movies.  SMILE (Paramount) is the latest successful arriv...
by Mitch Salem
 

 
 

Behind the Weekend US/Worldwide Box Office – 11.7.2021

  OPENINGS:  ETERNALS (Marvel/Disney) opened at the low end of expectations with $71M, not a surprise given its lousy reviews (48% on Rotten Tomatoes, unprecedented for the MCU) and blah audience exit polls.  Even so, th...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office 1.2.2022

  HOLDOVERS:  Pandemic box office champion SPIDER-MAN: NO WAY HOME (Marvel/Columbia/Sony) had no trouble keeping its throne over New Year’s weekend, down 38% to $52.7M, with a running US total of $609.9M.  The Janu...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 10.31.2021

  OPENINGS:  Taking the spotlight from higher-profile arrivals, the anime title MY HERO ACADEMIA: WORLD HEROES’ MISSION (Funimation) was the weekend’s highest-grossing newcomer with $6.4M, better than the $5.9...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office 6.11.2023

  OPENINGS:  TRANSFORMERS: RISE OF THE BEASTS (Hasbro/Paramount) launched at the higher end of tracking expectations with $60.5M.  Beasts is a much bigger-budgeted effort than its immediate predecessor, 2018’s Bumb...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 9.24.2023

  OPENINGS:  THE EXPEND4BLES (Lionsgate) had a disastrous start with $8.3M, about half of both expectations and the $15.9M opening of Expendables 3 in 2014.  Expend4bles may only total $20M in the US, and while the franc...
by Mitch Salem
 

 

 

US/Worldwide Weekend Box Office Report – 2.7.2021

  OPENINGS:  Even in healthy times, Super Bowl weekend isn’t a fertile time for movie openings, the exceptions being counterprogramming like 2008’s Hannah Montana concert movie.  In that vein, this weekend fe...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 11.26.2023

  OPENINGS:  NAPOLEON (Apple/Sony) launched at the higher end of expectations, with $20.4M over the 3-day weekend and $32.5M for the 5-day holiday.  As with Apple’s Killers of the Flower Moon, however, that leaves ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 1.5.2025

  OPENINGS:  January is often welcoming to low-budget horror, but that didn’t help THE DAMNED (Vertical), which found $800K at 732 theaters, a meager $1100 weekend per-theater average. HOLDOVERS:  Flooding the holi...
by Mitch Salem