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Weekend Studio Estimates FEBRUARY 14-16

Based on Friday’s and Saturday’s grosses, weekend #7 of 2014 now looks like $160 million for the top 12 films Friday-Sunday, much lower than yesterday’s estimate ($171 million) but still 22% ahead of this week...
by Mitch Metcalf
 
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Weekend Studio Estimates FEBRUARY 7-9

Based on Friday’s and Saturday’s grosses, weekend #6 of 2014 now looks like $139 million for the top 12 films Friday-Sunday, a better outlook than yesterday but still 16% behind the usual pace for this weekend.  Th...
by Mitch Metcalf
 
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Weekend Studio Estimates JAN 31-FEB 2

Based on Friday’s and Saturday’s grosses, weekend #5 of 2014 now looks like $72 million for the top 12 films Friday-Sunday, even worse than the usual pace for a Super Bowl weekend and two million dollars below yeste...
by Mitch Metcalf
 
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Weekend Studio Estimates JANUARY 24-26

Based on Friday’s and Saturday’s grosses, weekend #4 of 2014 now looks like $97 million for the top 12 films Friday-Sunday, a little better than yesterday’s estimate ($94 million) and now 4% below the average ...
by Mitch Metcalf
 
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Weekend Studio Estimates JANUARY 10-12

Based on Friday’s and Saturday’s grosses, weekend #2 of 2014 looks like $124 million for the top 12 films Friday-Sunday, down 10% from the average for the same weekend the past few years (but better than we forecast...
by Mitch Metcalf
 
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Weekend Studio Estimates JANUARY 3-5

Based on Friday’s and Saturday’s grosses, the first weekend of 2014 now looks like $132 million for the top 12 films Friday-Sunday, not as high as it appeared yesterday but still up 5% from comparable weekends the p...
by Mitch Metcalf
 
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Weekend Studio Estimates DECEMBER 27-29

Based on Friday’s grosses, the final weekend of 2013 looks like a great finish: $186 million for the top 12 films Friday-Sunday, down a touch from yesterday’s estimate but still up significantly from the same weeken...
by Mitch Metcalf
 
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Weekend Studio Estimates DECEMBER 20-22

Based on Friday’s and Saturday’s grosses, Weekend #51 of 2013 now looks like $137 million for the top 12 films from Friday-Sunday, up substantially from the same weekend last year (see comparisons to previous years ...
by Mitch Metcalf
 
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Weekend Studio Estimates DECEMBER 13-15

Based on Friday’s  and Saturday’s grosses, Weekend #50 of 2013 looks like $139 million for the top 12 films from Friday-Sunday, not as strong as we had forecast and down $5 million from yesterday’s estimate b...
by Mitch Metcalf
 
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Weekend Studio Estimates DECEMBER 6-8

Based on Friday’s and Saturday’s grosses, Weekend #49 of 2013 still looks like $87 million for the top 12 films from Friday-Sunday, right on target for the usually slow post-Thanksgiving weekend.   Opening at 2,101...
by Mitch Metcalf
 
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Weekend Studio Estimates NOV 29-DEC 1

Based on Friday’s and Saturday’s grosses, Weekend #48 of 2013 looks like $195 million for the top 12 films from Friday-Sunday — 3% below last year’s Thanksgiving weekend but 11% above the four-year avera...
by Mitch Metcalf
 
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Weekend Studio Estimates NOVEMBER 8-10

Based on Friday’s and Saturday’s grosses, Weekend #45 of 2013 looks like $161 million for the top 12 films, not the record we had forecast but still 21% above the recent average for this weekend. Opening at 3,841 th...
by Mitch Metcalf
 
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Weekend Studio Estimates NOVEMBER 1-3

Based on Friday’s grosses, Weekend #44 of 2013 looks like $123 million for the top 12 films, now up 3% from the same weekend’s average in recent years. Opening at 3,407 theaters Friday, Ender’s Game from Li...
by Mitch Metcalf
 
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Weekend Studio Estimates OCTOBER 25-27

Based on Friday’s and Saturday’s grosses, Weekend #43 of 2013 now looks like $95 million for the top 12 films, a shade under yesterday’s estimate but still up 11% to 17% from the same weekend in recent years...
by Mitch Metcalf
 
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Weekend Studio Estimates OCTOBER 18-20

Based on Friday’s and Saturday’s grosses, Weekend #42 of 2013 now looks like $96 million for the top 12 films, down 15% from the average for the same weekend the past few years. Opening at 3,157 theaters Friday, Car...
by Mitch Metcalf
 
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