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Weekend Studio Estimates DECEMBER 13-15

Based on Friday’s  and Saturday’s grosses, Weekend #50 of 2013 looks like $139 million for the top 12 films from Friday-Sunday, not as strong as we had forecast and down $5 million from yesterday’s estimate b...
by Mitch Metcalf
 
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Weekend Studio Estimates 2.27-3.1.2015

Based on Friday’s and Saturday’s grosses, weekend #9 of 2015 now looks like $95 million for the top 12 films Friday-Sunday, better than the weekend looked yesterday but still down from the norms for this weekend and...
by Mitch Metcalf
 
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Behind the US/Worldwide Weekend Box Office – 12.4.2022

  OPENINGS:  VIOLENT NIGHT (Universal) slightly overperformed with $13.3M in the US, and with its $20M production budget, it may be headed for breakeven or perhaps moderate profit.  However, worldwide marketing costs are...
by Mitch Salem
 
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Weekend Studio Estimates 4.17-19.2015

Based on Friday’s and Saturday’s grosses, weekend #16 of 2015 now looks like $112 million for the top 12 films Friday-Sunday, better than it looked yesterday ($105 million) but still slightly below the norm for thi...
by Mitch Metcalf
 
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WEEKEND STUDIO ESTIMATES December 23-25

>Based on Friday and Saturday box office (and estimated Sunday numbers), the total box office for this weekend is now looking like only $100 million, down 24% from last year.  Projected weekend grosses for each film (summa...
by Mitch Metcalf
 
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Weekend Studio Estimates AUGUST 15-17

Based on Friday’s and  Saturday’s grosses, weekend #33 of 2014 now looks like a modest $129 million for the top 12 films Friday-Sunday, a little better than yesterday’s forecast ($124 million) and 11% above t...
by Mitch Metcalf
 
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WEEKEND STUDIO ESTIMATES March 1-3

Based on Saturday’s grosses, Weekend #9 of 2013 is a little better than it appeared yesterday but still down 38% from the same weekend the last few years.  Jack the Giant Slayer opened reasonably well, but there are no o...
by Mitch Metcalf
 
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Weekend Studio Estimates JANUARY 24-26

Based on Friday’s and Saturday’s grosses, weekend #4 of 2014 now looks like $97 million for the top 12 films Friday-Sunday, a little better than yesterday’s estimate ($94 million) and now 4% below the average ...
by Mitch Metcalf
 
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Behind the US/Worldwide Weekend Box Office – 10.9.2022

  OPENINGS:  LYLE LYLE CROCODILE (Columbia/Sony) arrived below expectations at $11.5M (it might reach $13.4M with the Monday holiday), unable to take advantage of the 11-week gap since the last major family movie opened.�...
by Mitch Salem
 
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WEEKEND STUDIO ESTIMATES April 20-22

>The weekend studio estimates (based on Friday and Saturday actuals and projections for Sunday) are coming in slightly above the weekend numbers posted yesterday (based on Friday actuals only).  The box office volume for t...
by Mitch Metcalf
 
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WEEKEND STUDIO ESTIMATES September 9-11

>Based on Friday and Saturday box office (and estimated Sunday numbers), Contagion is #1 and is headed for a final of about $74 million.  The other openers were either quiet or stillborn.  The Help, now #2, nonetheles...
by Mitch Metcalf
 
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Behind the US/Worldwide Weekend Box Office – 10.2.2022

  OPENINGS: As studio greenlight and release strategies continue to morph, one thing that’s clear is that there will never be a shortage of low-budget horror movies.  SMILE (Paramount) is the latest successful arriv...
by Mitch Salem
 
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Weekend Studio Estimates MARCH 14-16

Based on Friday’s and Saturday’s grosses, weekend #11 of 2014 looks like $102 million for the top 12 films Friday-Sunday, a few million dollars lower than yesterday’s estimate and now slightly below the box of...
by Mitch Metcalf
 
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Weekend Studio Estimates JULY 12-14

Based on Friday’s and Saturday’s grosses, Weekend #28 of 2013 looks like a decent $191 million for the top 12 films, up 5% from the comparable weekend the last few years.  It was a pretty good weekend for the Showb...
by Mitch Metcalf
 
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THE SKED: Updated Fall Ratings Projections and Viewing Recommendations

> SHOWBUZZDAILY’S COMPLETE GUIDE TO THE FALL TV SEASON: MONDAY           Rating Projections             &n...
by Mitch Salem
 
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