After a few mild weeks, INCREDIBLES 2 (Pixar/Disney) has the summer box office back in blockbuster mode.  It’s on pace to easily break Finding Dory‘s $135.1M animation opening record.  According to preliminary numbers at Deadline, Incredibles 2 had a massive $69M Friday (including $18.5M from Thursday night), far better than Dory‘s $54.7M.  If business […]

  THE REVENANT (Regency/20th) is showing impressive strength in its first day of wide release, after 2 strong weeks at NY/LA arthouses.  Preliminary numbers at Deadline give it $14M+ on Friday, putting it surprisingly into 1st place and confirming that Leonardo DiCaprio is one of the few “movie stars” these days who actually sells tickets.  […]

Weekend #32 of 2015 is looking like $133 million for the top 12 films this weekend, somewhat below the norm for this weekend (see comparisons below). Fantastic Four from Fox and Marvel should open with a $46.5 million three-day weekend. Early reviews at RottenTomatoes are unenthusiastic: 21% positive overall so far. Fantastic Four is on track for […]

  OPENINGS:  THE LITTLE MERMAID (Disney) began its run with $95.5M over the 3-day weekend, projected to $117.5M with the Monday holiday.  That’s within the range of pre-release projections, and if the numbers hold, it would be slightly higher than the $116.8M earned over the 2019 4-day Memorial Day weekend by Aladdin.  However, it’s a […]

  OPENINGS:  It’s still too soon to gauge whether RINGS (Paramount) can creep its way to breakeven with international help (total production/marketing costs are $75M+), but it’s certainly not performing well enough to justify a continuation of the franchise.  In the US, its $13M weekend estimate is below the $15M opening of the original US […]

The weekend before Christmas offers four wide releases and another fairly-wide release.  What a collection of underperformers.  The weekend should total a very uninspired $112 million for the top 12 films.  The 51st weekend of the year averages $172 million, and the last time this weekend started on December 21 (2007), the top 12 films […]

  OPENINGS:  THE CALL OF THE WILD (20th/Disney) did a bit better than expected at $24.8M, but in the long run that’s not likely to make much difference.  Similarly to Dolittle (although much more quietly), Call of the Wild was extremely expensive, with $200M+ in production/marketing costs, so a $75M US total won’t get it […]

  OPENINGS:  OVERBOARD (MGM/Pantelion/Lionsgate) opened in 45% more theatres than Eugenio Derbez’s How To Be A Latin Lover, and had a weekend that was 20% higher at $14.8M.  That’s not the cross-cultural breakout hit that the studio and Derbez had in mind, although an eventual $40M in the US will likely provide a modest profit […]