Even bigger than Gaston after five dozen eggs, BEAUTY AND THE BEAST (Disney) is coming in at the highest level of projections, and may be poised for the largest pre-May weekend in history.  Preliminary numbers at Deadline have opening day at $65.3M (including $16.3M from Thursday night), and while that’s below the $81.6M first day […]

  How much more humiliating can things get for Warners?  On Friday, according to preliminary numbers at Deadline, THE BOSS (Universal), which isn’t even a high-performing Melissa McCarthy vehicle, beat up both the studio’s superheroes with about $7.5M.  The Boss will likely have trouble sustaining itself over the weekend, but at about $20M+, it will […]

Weekend #49 of 2015 is looking like a decent $94 million for the top 12 films this weekend, actually better than what we usually see on one of the slowest weekends of the year (see comparisons below). Krampus from Universal should open with $12.0 million Friday-Sunday. The film is on track for around $26 million domestic in its run. Overseas the film […]

  OPENINGS:  In the world of family movies, the 33% Saturday bump for A WRINKLE IN TIME (Disney) was mediocre.  (By comparison, Peter Rabbit rose 97% on its 1st Saturday.)  That brought the weekend to a soft $33.3M.  Family movies sometimes enjoy lengthy runs and high multiples, and Wrinkle faces little direct competition in the […]

  OPENINGS:  This was the weekend of AVATAR: THE WAY OF WATER (20th/Disney), and the epic’s launch was softer than widely expected at $134M in the US and $301M in all major overseas markets including China.  Box office apologists, who at this point resemble political press secretaries, have rushed in to spin that Way of […]

  OPENINGS:  David Cronenberg is a venerated filmmaker, but not a source of many box office hits:  in a career that spans more than 4 decades, his highest-grossing film in the US is still 1986’s The Fly at $40.5M (a little over $100M adjusted for inflation).  That won’t change with his brooding and frequently grotesque […]

  OPENINGS:  ARTHUR THE KING (Lionsgate) was clearly hoping to emulate the sleeper success of 2022’s Dog, which ran a $14.9M opening into $61.8M in the US.  However, the Mark Wahlberg vehicle came up very short with a $7.5M start.  Production/marketing costs are reportedly $60M, which will make for a tough road to profit.  Arthur […]

  Note:  Holdover titles tended to decline less than usual because comparisons include last week’s Easter Sunday. OPENINGS:  BORN IN CHINA (Disney) was at the top of an unimpressive group of debuts this weekend with $5.1M, narrowly ahead of the $4.6M for Monkey Kingdom, the last in the studio’s “Disneynature” series of Earth Day wildlife […]