Not a lot of changes from last night’s early numbers. STAR WARS: THE FORCE AWAKENS (Lucasfilm/Disney): The all-time biggest 2d US weekend: $153.5M (down 38% from opening weekend, far better than the 49%/50% for Jurassic World/Avengers, although the 2% drop for Avatar and 24% increase for Titanic–both from the era before giant Thursday night openings–remain […]
In our week-long look at the box office prospects of the nearly-here summer movie season on a studio by studio basis, we’ve examined Sony and Universal. Today our eye is on Warner Bros, typically one of the busiest of the studios. LAST SUMMER: Overall a success, although not quite to the extent Warners was […]
OPENINGS: HALLOWEEN ENDS (Universal, also on Peacock) underperformed badly with $41.3M, about 25% below pre-release expectations, and 17% under the $49.4M start for last year’s Halloween Kills, despite a stronger Thursday night start than Kills ($5.4M vs $4.9M). The excuse de jour is the Peacock release, which would be dubious in any case considering […]
Labor Day weekend is always the exhausted last gasp of the summer movie season, but this year the studios didn’t even try. Partly it’s the effect of August having generally been a disaster in 2015 (last year’s 4-day Labor Day span featured a $22.9M 5th weekend for Guardians of the Galaxy and $15.6M from […]
After a string of disappointments at the box office, this weekend’s franchise centerpiece looks like it will deliver. Preliminary numbers at Deadline have the opening day for HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD (DreamWorks Animation/Universal) at $17.3M (including $3M from Thursday night and $2.5M from earlier paid previews), better than the $12.1M […]
Official studio estimates are in for New Year’s Weekend in the US, but overseas numbers are still sketchy. A few notes: ROGUE ONE (Lucasfilm/Disney) had a US result in keeping with preliminary numbers, up 15% on Sunday and with an anticipated 12% Monday drop. This puts it at $439.7M domestically, 41% below The Force […]
OPENINGS: NAPOLEON (Apple/Sony) launched at the higher end of expectations, with $20.4M over the 3-day weekend and $32.5M for the 5-day holiday. As with Apple’s Killers of the Flower Moon, however, that leaves it a long way from any hope of breakeven on roughly $300M in production/marketing costs (particularly considering that audience polling indicated […]
The summer movie season will be underway momentarily on the east coast, as 7PM screenings commence for The Amazing Spider-Man–which isn’t exactly riding a rave of critical support (56% positive at Rotten Tomatoes, and 35% among “top critics”). At Sony tonight, uneasy lie the heads that wear a crown. But meanwhile, our survey of […]